Thursday, March 6, 2014

Low Volume 101

Low Volume Package at MRLs
This post was original part of the Colour Theory for Quilters series.  If you haven't ever checked out the Colour Theory for Quilters series I highly recommend that you do!   I asked Jess if I could repost this on my blog as I prepare for Modern Low Volume Swap Round III!

But, before we jump to Low Volume, we need to chat about Value.  Ready?  Let’s do it…

In artsy terms, value is what we are talking about when we describe a color as "light" or "dark".  When we classify color as light versus dark we are describing its "brightness".  To be geeky uber-technical about it...warning: feel free to gloss over this if you are anti-geeky uber-technical by nature...value (or brightness) is based on the amount of light eminating from the color.  The more white the HIGHER the value, the less white the LOWER the value.  The easiest way to think of this is using a grayscale.  And of course this gives me an opportunity to use some fabric examples!
Screen shot 2013-06-26 at 9.15.27 PM
Of course the same value scale applies when we talk about any color...  Such as yellow for example.
Screen shot 2013-06-26 at 9.22.14 PM

Value Challenges for Quilters
To apply this information to what We Do as Quilters we need to recognize the challenges that we face in our other words fabric.  Painters, illustrators, graphic designers...pssht they've got it easy!  Quilters often use patterned fabrics that combine multiple colors and sometimes multiple values all in one swatch.  Depending on the scale of the fabric pattern if that swatch is cut in half the new swatch creates a change in value range.  For anyone who has ever tried organizing their stash in color order you know you've faced the question of "hunh, well where does this one fit in?"  The pile of fabrics I've depicted below demonstrates my "hunh" or "multicolored" fabric pile in my own stash. 
To get past this challenge, my advice is to use the monochromatic feature on your camera or computer to judge the value of a particularly challenging fabric.  I've done that here with the yellow example from above.  You can see through grayscale how the patterns still have an important role in value.

Contrast using Value.
Right.  Okay, you get it, light versus dark, but why does this matter anyway?  Value is important because it allows us to create contrast.  If colors are close in value they will flatten, if they are varied in value then they will contrast and thereby create depth.  Too close in value = flat.  Far in value = depth.  Take the yellows up above, looking at them in grayscale you can see that the fabrics closer together in color blend together and fall flat.  But, I've taken the darkest yellow (low value) and the lightest yellow (high value) and paired them together below and now you can see the pop - value creating contrast.
DSC_0022 - Version 2        Untitled
This is example is also good because the darker yellow fabric has a lighter value pattern which, as you can see, also creates value contrast within the same piece of fabric!  Quilters, we have so many options!

However, if you've diligently read through these Colour Theory Posts then you don't need me to tell you Value is merely one way to create contrast.  Contrast can also be created with color through context as we learned in the last post.  In fact, to push this even further, as fabric enthusiasts we all know contrast can also be achieved by contrasting different textures or fabrics with different scaled patterns.  Oh I love thee!  Quick Example?  Sure...

Value Contrast: As we've already seen above in the yellow, value contrast is an important consideration when pairing fabric.  See how it works with these blue solids I paired.  The depth is created by the range in the value.  The value pairing creates an impressive contrast in the grayscale.   This is why monochromatic pairings can often be so compelling.

Color Contrast : But as you already know complementary colors create a wonderful contrast as well and do not require a difference in value.  Complementary colors = Blue and Orange.  I kept the same blue from above but chose an orange with a similar value.  While things look rather flat in the grayscale in color the fabrics vibrate against each other.  And it follows that using complementary colors with different values results in a greater contrast.


So why did I march you through the preamble about value and contrast above?  Well...low volume of course!  The trick to low volume is to consider value and how contrast is created in the ways I mentioned above such as color, pattern, scale, and value.  If I were to tell you that all the fabrics above are considered low volume you may scratch your head and say what?  If you have done any research into the recent low volume craze then you know that what is considered to be low volume covers a vast range.  
Screen shot 2013-06-26 at 9.19.16 PM
What is Low Volume?
To put it simply...low volume fabrics live in the high value range of the value scale.  Nevertheless, one visit to the low volume swap flickr page demonstrates that there is a broad scope of what different quilters think of as low volume!

First and foremost, there is no "wrong way" to do low volume.  Please, how ridiculous!  However, after hosting two Low Volume swaps and fielding a multitude of questions on what qualifies as low volume I have found that low volume can be divided into two larger categories.  Pop Low Volume and Muted Low Volume.
Pop Low Volume.  Best described as graphic prints amidst a neutral background, usually white.  This is the low volume style of Malka Dubrowsky who is credited with starting the concept of modern low volume in 2009 with an article she wrote for Quilting Arts magazine.  This style is still very popular four years after that article was written.  It is probably most commonly known in its implementation by Rita of Red Pepper Quilts.  I describe it as "pop" because the design style utilizes the high value background of the fabric as a foundation to allow the graphic print to pop out.  Place a number of these fabrics together in a quilt and voila you have a very cheerful, largely neutral quilt, with fun popping graphics playing against each other.  TIP:  If you gravitate towards this style of low volume look for fabrics with a large ratio of white, a single colored print or at the maximum a print composed of no more than two colors, and the simpler the pattern - the more graphic - the better.

Muted Low Volume.  "If quiet had a color this would be it." - Sarah from Issabella the Cat's daughter when describing Sarah's low volume quilt.   {Go check it out, Sarah's quilt features fabrics from the first Low Volume Fabric Swap hosted on my blog.}  Muted low volume really is, well, muted!  This style utilizes fabrics in soft colors found in the high value range such as light yellows, light purples, soft grays, tans.  This style is not new to quilting as using muted low volume fabrics can be found in every period of American quilting.  Today one source of its popularity amongst modern quilters can be attributed to the beautiful Sunday Morning Quilt featured in the pages of the book Sunday Morning Quilts.  TIP: Thinking of putting together a muted low volume quilt?  In addition to gathering fabrics in soft colors and muted tones also consider choosing fabrics with "soft patterns" such as florals, small dots, scripted text.  Notice the bold chevron print above, in addition to the soft colors the pattern has a sketchy quality to it which softens the normally striking angles of the chevron.  Smaller scale prints will work well in this low volume style but what works best is a combination of different prints paired together to add some interest to this type of low volume quilt.  

No matter which style of Low Volume you prefer here is are some things to consider when picking your fabrics for your next low volume project...

Low Volume Fabric Considerations
  • fabric with a large ratio of white or neutral   
  • consider the complexity of pattern
  • minimal color contrast, a pattern with too many colors will distract from the neutral background
  • color element, brighter/saturated color for pop low volume, soft colors for muted low volume
And there you have it!  Low Volume thinky stuff.  By the way, all of the fabrics in the photos above were from my previous low volume swaps.  Cool stuff right?  Stay tuned for the Modern Low Volume Swap sign ups coming the meantime do check out the rules here.

- rebecca lynne


Annabella said...

Fab post Rebecca - have you done sign ups yest?

Nat at Made in Home said...

Great post - I ma sure I need to read it again and again everytime I will want to do a quilt!

Erin Quinn said...

I got so excited about low volume that I flicked to the link and went oh no! Swap closed!
Now that I have actually READ your post (great thinking, Erin) I am back to excitement! Looking forward to low volume goodness!
E xx

Archie the wonder dog said...

What a great post - thank you! I think I'm more in the muted LV camp but I do love those pops of colour!

I must confess, though, that I'm not particularly fond of the term 'low volume' but I'm not sure why...

Archie the wonder dog said...

P.S. I'll be watching out for the sign-ups!